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Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 + Presentation (Century's record. : Lili Kraus)
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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39)
Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47)
Pian...
published: 27 Jan 2017
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Mozart Piano Concerto No 21, K 467 Yeol Eum Son YouTube
published: 27 Feb 2021
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Mozart - Piano Concertos No.11,12,13,14,17,18,19 + Presentation (Century's recording : Lili Kraus)
❤️ Join us on our WhatsApps fanpage (our preview releases): https://www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y
Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)
Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)
Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C m...
published: 29 Jul 2017
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Mozart: The Great Piano Concertos, Vol. 1
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Information: https://www.brilliantclassics.com/articles/m/mozart-the-great-piano-concertos-vol-1/
Check out part 2 here: https://www.youtube.com/watch?v=uaxHxTD6__g
Social media:
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Spotify Playlists:
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The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: h...
published: 27 Mar 2020
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Mozart: Piano Concerto No. 27 | Menahem Pressler, Paavo Järvi & the Orchestre de Paris
Music was his elixir of life: On October 17, 2012, just before his 90th birthday, pianist Menahem Pressler gave a concert in Paris' Salle Pleyel. With the Orchestre de Paris conducted by Paavo Järvi, Pressler played Wolfgang Amadeus Mozart’s Piano Concerto No. 27 in B-flat major, K. 595. Nimble fingers even at grand old age – Menahem Pressler is proof that it's possible. The star pianist was able to look back over a 50-year career. Between 1955 and 2008 he was performing some 100 concerts each year with the Beaux Arts Trio alone. Menahem Pressler passed away on May 6, 2023, aged 99.
(00:00) Applause
(00:18) I. Allegro
(14:32) II. Larghetto
(22:54) III. Rondo, Allegro
The Piano Concerto No. 27 in B-flat major (K. 595) is the last of Wolfgang Amadeus Mozart’s (1756 – 1791) piano concertos,...
published: 18 May 2023
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Mozart: Concerto for piano and Orchestra (d-minor) K.466, Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
published: 11 Nov 2012
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Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 + Presentation (Cent.record. : Lili Kraus)
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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos No.9 Jeunehomme,15,16,1,2,3,4,5,6,8 .
*Click to activate the English subtitles for the presentation* (00:00-06:15)
A very big « THANKS » to Sony Music who authorized us to release this video.
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ I.Allegro (00:00)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ II.Andantino (09:51)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ III.Rondeau. Presto (19:12)
Piano Concerto #15 in B-flat major, K.450_ I.Allegro (29:30)
Piano Concerto #15 in B-flat major, K.450_ II.Andante (40:11)
Piano Concerto #15 in B-flat major, K.450_ III.Allegro (45:25)
Piano Con...
published: 04 Nov 2017
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Mozart - Piano Concerto No. 23 in A, K. 488 [complete]
The Piano Concerto No. 23 in A major (K. 488) is a musical composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart's own catalogue, on March 2, 1786, around the time of the premiere of his opera, The Marriage of Figaro. It was one of three subscription concerts given that spring and was probably played by Mozart himself at one of these. The concerto is scored for piano solo and an orchestra consisting of one flute, two clarinets, two bassoons, two horns and strings. In Mozart's later works the wind instruments are equal to the stringed instruments, and this is also the case in this concerto. It has three movements:
1. Allegro in A major and common time.
2. Adagio in F-sharp minor and 6/8 time (in later editions, the tempo is listed as An...
published: 25 Dec 2011
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Classical Music Mix: 7 Master Composers | Mozart, Beethoven, Bach, Haydn, Grieg, Albinoni, Gluck
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🎻 Timestamp:
0:00 Beethoven - Moonlight Sonata for String Ensemble
4:30 Mozart - Piano Sonata 16 for Woodwind and Strings
9:23 Bach - We Thank Thee Lord, We Thank Thee, BWV 29 N 1 for String Ensemble
13:01 Gluck - Dance of the Blessed Spirits, for Flute and Ensemble
15:25 Grieg - Peer Gynt, Suite 1
18:42 Haydn - Trumpet Concerto in E Flat Major, Andante
21:50 Bach, Air from Orchestra Suite No 3, BWV1068 Flute and Strings
24:23 Albinoni - Concerto in D Major
33:41 Bach, Violin Concerto in A minor, BWV 1041, Recorder and Strings
46:29 Mozart - Elv...
published: 25 Feb 2024
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Wolfgang Amadeus Mozart - Piano Concerto No. 21 - Andante
Piano Concerto No. 21 - Andante "Elvira Madigan"
published: 15 Jan 2008
3:57:55
Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 + Presentation (Century's record. : Lili Kraus)
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Wolfgang Amadeus Mozart (1756-1791) - Pian...
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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39)
Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47)
Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53)
Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30)
Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20)
Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57)
Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30)
Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27)
Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24)
Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23)
Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47)
Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38)
Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48)
Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10)
Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18)
Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06)
Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00)
Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29)
Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17)
Piano : Lili Kraus
Vienna Festival Orchestra
Conductor : Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
🔊 Discover our new website: https://www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/370zcMg
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Thank you :) https://www.patreon.com/cmrr // https://en.tipeee.com/cmrr
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart n'a montré combien son expression personnelle a su épouser la forme que l'usage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusqu'à en souffrir la symétrie et la régularité d'une section, à tel point que la forme s'impose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans l'œuvre de Mozart, la place hautement représentative qu'ils occupent si leurs andantes n'étaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.
Lili Kraus a comparé son affinité avec Mozart à une mission : « Quand j'ai commencé à explorer Mozart, j'ai découvert la beauté infinie de cette musique, et d'une certaine manière il m'est donné de donner vie à cette beauté. Je trouve qu'il est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à l'esprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsqu'il s'agissait de la musique pour piano de Mozart, plusieurs générations d'auditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot..
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) : https://www.youtube.com/watch?v=FHwmL8Md22w&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&t=33s&index=3
Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon) : https://www.youtube.com/watch?v=ZntL9Y7vcDM&index=2&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : https://www.youtube.com/watch?v=K2doJV0FR8Q&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=5&t=1052s
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
https://wn.com/Mozart_Piano_Concertos_No.20,21,22,23,24,25,26,27_Presentation_(Century's_Record._Lili_Kraus)
❤️ Join us on our WhatsApps fanpage (our preview releases): https://www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y
Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27.
*Click to activate the English subtitles for the presentation* (00:00-05:43)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31)
Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39)
Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47)
Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53)
Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30)
Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20)
Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57)
Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30)
Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27)
Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24)
Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23)
Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47)
Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38)
Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48)
Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10)
Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18)
Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06)
Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00)
Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29)
Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17)
Piano : Lili Kraus
Vienna Festival Orchestra
Conductor : Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMMR
🔊 Discover our new website: https://www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/370zcMg
🔊 Follow us on Spotify (Profil: CMRR) : https://spoti.fi/3016eVr
❤️ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) https://www.patreon.com/cmrr // https://en.tipeee.com/cmrr
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Nulle part plus que dans ses andantes, Mozart n'a montré combien son expression personnelle a su épouser la forme que l'usage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusqu'à en souffrir la symétrie et la régularité d'une section, à tel point que la forme s'impose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans l'œuvre de Mozart, la place hautement représentative qu'ils occupent si leurs andantes n'étaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété.
Lili Kraus a comparé son affinité avec Mozart à une mission : « Quand j'ai commencé à explorer Mozart, j'ai découvert la beauté infinie de cette musique, et d'une certaine manière il m'est donné de donner vie à cette beauté. Je trouve qu'il est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à l'esprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsqu'il s'agissait de la musique pour piano de Mozart, plusieurs générations d'auditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot..
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) : https://www.youtube.com/watch?v=FHwmL8Md22w&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&t=33s&index=3
Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon) : https://www.youtube.com/watch?v=ZntL9Y7vcDM&index=2&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : https://www.youtube.com/watch?v=K2doJV0FR8Q&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=5&t=1052s
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
- published: 27 Jan 2017
- views: 5626724
3:02:46
Mozart - Piano Concertos No.11,12,13,14,17,18,19 + Presentation (Century's recording : Lili Kraus)
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Wolfgang Amadeus Mozart (1756-1791) - Pian...
❤️ Join us on our WhatsApps fanpage (our preview releases): https://www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y
Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)
Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)
Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C major, K.415_ II.Andante (58:15)
Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43)
Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04)
Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08)
Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10)
Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41)
Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16)
Piano Concerto #17 in G major, K.453_ III.Allegretto - Finale_ Presto (1:56:19)
Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33)
Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26)
Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43)
Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12)
Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43)
Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02)
Piano : Lili Kraus
Vienna Festival Orchestra
Direction : Stephen Simon
Recorded in 1965-66
New Mastering 2017 by AB for CMRR
🔊Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
La véritable conception du concerto, l’essence du genre consiste dans la lutte qui se livre entre l'orchestre, d'une part, et l'instrument ou le groupe d'instruments solos de l'autre. Cette lutte est entrecoupée de trêves pendant lesquelles orchestre et soliste collaborent amicalement, et elle se termine par une réconciliation ; elle n'en est pas moins une lutte véritable. Tantôt, les armes sont communes aux deux adversaires : ce sont les thèmes principaux qui reviennent dans les soli et dans les tuttis ; tantôt, chacun a les siennes : ce sont d'autres thèmes réservés au soliste, et d'autres, enfin, qui n'appartiennent qu'à l'orchestre.
Les péripéties de la lutte sont diverses : elle peut rester indécise et solo et orchestre se renvoient alors les thèmes de l'un à l'autre ; le tutti peut remporter une victoire momentanée et claironner bruyamment son triomphe ; ou bien, le soliste, à coups d'accords, de gammes et d'arpèges, peut voir ses efforts couronnés de victoire, et, dans un trille étincelant, narguer l'orchestre vaincu. Mais, quelle que soit l'issue momentanée, nous savons qu'en fin de compte ni l'un ni l'autre ne triomphera et que la dernière cadence scellera paix et alliance entre les ennemis réconciliés.
Or, de tous les concertos, ceux de Mozart forment le groupe le plus important. C'est une raison pour laquelle ils ont droit à une étude spéciale. Il en existe une autre. Il n'y a pas, dans toute l'œuvre de leur compositeur, de genre où il se soit exprimé d'une manière aussi complète. Ses concertos pour piano, échelonnés à travers ses années depuis sa dix-huitième jusqu'à sa trente-sixième, nous le présentent à tous les âges ; ils constituent le témoignage le plus varié et le plus étendu de sa vie artistique.
Nous y retrouvons ses joies et ses tristesses, ses espérances et ses déceptions ; nous pénétrons par eux dans ce sanctuaire intérieur, où l'homme harassé et surmené retrouvait la vie fraîche et rayonnante qui ne cessa jamais de renaître au fond de son coeur. Dans presque tous les genres si divers où il a prodigué ses richesses, on trouve une ou deux œuvres qui comptent parmi ses plus belles, mais aucun de ces genres n’offre une succession de chefs-d'œuvre aussi abondante que celle des concertos pour piano.
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) https://youtu.be/FHwmL8Md22w
Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 (recording of the Century : Lili Kraus/Simon)
https://www.youtube.com/watch?v=jvRhkZLM__E&t=25s&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=1
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : https://www.youtube.com/watch?v=K2doJV0FR8Q&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=5&t=1052s
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) https://bit.ly/3rvnwaS
https://wn.com/Mozart_Piano_Concertos_No.11,12,13,14,17,18,19_Presentation_(Century's_Recording_Lili_Kraus)
❤️ Join us on our WhatsApps fanpage (our preview releases): https://www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y
Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 11,12,13,14,17,18,19.
*Click to activate the English subtitles for the presentation* (00:00-06:45)
A very big « THANKS » to Sony Music who authorized us to release this recording.
Piano Concerto #11 in F major, K.413_ I.Allegro (00:00)
Piano Concerto #11 in F major, K.413_ II.Larghetto (09:24)
Piano Concerto #11 in F major, K.413_ III.Tempo di menuetto (17:14)
Piano Concerto #12 in A major, K.414_ I.Allegro (23:04)
Piano Concerto #12 in A major, K.414_ II.Andante (32:41)
Piano Concerto #12 in A major, K.414_ III.Rondo. Allegretto (41:06)
Piano Concerto #13 in C major, K.415_ I.Allegro (47:39)
Piano Concerto #13 in C major, K.415_ II.Andante (58:15)
Piano Concerto #13 in C major, K.415_ III.Rondeau_Allegro-Adagio-Allegro (1:05:43)
Piano Concerto #14 in E flat major, K.449_ I.Allegro vivace (1:14:04)
Piano Concerto #14 in E flat major, K.449_ II.Andantino (1:23:08)
Piano Concerto #14 in E flat major, K.449_ III.Allegro ma non troppo (1:29:10)
Piano Concerto #17 in G major, K.453_ I.Allegro (1:35:41)
Piano Concerto #17 in G major, K.453_ II.Andante (1:47:16)
Piano Concerto #17 in G major, K.453_ III.Allegretto - Finale_ Presto (1:56:19)
Piano Concerto #18 in B flat major, K.456_ I.Allegro vivace (2:04:33)
Piano Concerto #18 in B flat major, K.456_ II.Andante un poco sostenuto (2:16:26)
Piano Concerto #18 in B flat major, K.456_ III.Allegro vivace (2:26:43)
Piano Concerto #19 in F major, K.459_ I.Allegro (2:34:12)
Piano Concerto #19 in F major, K.459_ II.Allegretto (2:46:43)
Piano Concerto #19 in F major, K.459_ III.Allegro assai (2:55:02)
Piano : Lili Kraus
Vienna Festival Orchestra
Direction : Stephen Simon
Recorded in 1965-66
New Mastering 2017 by AB for CMRR
🔊Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
La véritable conception du concerto, l’essence du genre consiste dans la lutte qui se livre entre l'orchestre, d'une part, et l'instrument ou le groupe d'instruments solos de l'autre. Cette lutte est entrecoupée de trêves pendant lesquelles orchestre et soliste collaborent amicalement, et elle se termine par une réconciliation ; elle n'en est pas moins une lutte véritable. Tantôt, les armes sont communes aux deux adversaires : ce sont les thèmes principaux qui reviennent dans les soli et dans les tuttis ; tantôt, chacun a les siennes : ce sont d'autres thèmes réservés au soliste, et d'autres, enfin, qui n'appartiennent qu'à l'orchestre.
Les péripéties de la lutte sont diverses : elle peut rester indécise et solo et orchestre se renvoient alors les thèmes de l'un à l'autre ; le tutti peut remporter une victoire momentanée et claironner bruyamment son triomphe ; ou bien, le soliste, à coups d'accords, de gammes et d'arpèges, peut voir ses efforts couronnés de victoire, et, dans un trille étincelant, narguer l'orchestre vaincu. Mais, quelle que soit l'issue momentanée, nous savons qu'en fin de compte ni l'un ni l'autre ne triomphera et que la dernière cadence scellera paix et alliance entre les ennemis réconciliés.
Or, de tous les concertos, ceux de Mozart forment le groupe le plus important. C'est une raison pour laquelle ils ont droit à une étude spéciale. Il en existe une autre. Il n'y a pas, dans toute l'œuvre de leur compositeur, de genre où il se soit exprimé d'une manière aussi complète. Ses concertos pour piano, échelonnés à travers ses années depuis sa dix-huitième jusqu'à sa trente-sixième, nous le présentent à tous les âges ; ils constituent le témoignage le plus varié et le plus étendu de sa vie artistique.
Nous y retrouvons ses joies et ses tristesses, ses espérances et ses déceptions ; nous pénétrons par eux dans ce sanctuaire intérieur, où l'homme harassé et surmené retrouvait la vie fraîche et rayonnante qui ne cessa jamais de renaître au fond de son coeur. Dans presque tous les genres si divers où il a prodigué ses richesses, on trouve une ou deux œuvres qui comptent parmi ses plus belles, mais aucun de ces genres n’offre une succession de chefs-d'œuvre aussi abondante que celle des concertos pour piano.
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) https://youtu.be/FHwmL8Md22w
Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 (recording of the Century : Lili Kraus/Simon)
https://www.youtube.com/watch?v=jvRhkZLM__E&t=25s&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=1
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : https://www.youtube.com/watch?v=K2doJV0FR8Q&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=5&t=1052s
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) https://bit.ly/3rvnwaS
- published: 29 Jul 2017
- views: 4637663
3:36:21
Mozart: The Great Piano Concertos, Vol. 1
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Informat...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Information: https://www.brilliantclassics.com/articles/m/mozart-the-great-piano-concertos-vol-1/
Check out part 2 here: https://www.youtube.com/watch?v=uaxHxTD6__g
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Composer: Wolfgang Amadeus Mozart
Artists: Derek Han (piano), Philharmonia Orchestra and Paul Freeman (conductor)
This an issue of series consisting of 14 3CD-sets with selected highlights taken from our complete edition. This part contains the following works: No. 1 K. 37, No. 11 K. 413, No. 15 K. 450, No. 20 K. 466, No. 21 K. 467 “Elvira Madigan”, No. 22 K. 482, No. 23 K. 488, No. 25 K. 503.
Tracklist:
Piano Concerto No. 15 In B-Flat Major, K 450:
0:00:00 I. Allegro
0:11:04 II. Adagio
0:16:24 III. Allegro Assai
Piano Concerto No. 11 In F Major K 413:
0:24:16 I. Allegro
0:33:29 II. Larghetto
0:41:05 III. Tempo Di Menuetto
Piano Concerto No. 23 In A Major K 488:
0:46:28 I. Allegro
0:57:16 II. Andante
1:03:31 III. Allegro
Piano Concerto No. 21 in C Major, K 467 "Elvira Madigan":
1:11:30 I. Allegro
1:26:09 II. Andante
1:32:57 III. Allegro Vivace Assai
Piano Concerto No. 1 In F Major, K 37:
1:40:31 I Allegro
1:45:51 II. Andante
1:51:22 III. Allegro
Piano Concerto No. 25 In C Major, K 503:
1:56:19 I. Allegro Maestoso
2:13:38 II. Andante
2:21:01 III. Allegretto
Piano Concerto No. 20 In D Minor, K 466:
2:30:59 I. Allegro
2:44:54 II. Romanze
2:53:18 III. Allegro Assai
Piano Concerto No. 22 In E-Flat Major, K 482:
3:01:09 I. Allegro
3:15:10 II. Andante
3:24:02 III. Allegro
Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: https://brilliant-classics.lnk.to/YouTube
And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#Mozart #Great #Piano #Concertos #Vol1 #Brilliant #Classics
https://wn.com/Mozart_The_Great_Piano_Concertos,_Vol._1
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/MozartGreatPianoConcertosVol1
More Information: https://www.brilliantclassics.com/articles/m/mozart-the-great-piano-concertos-vol-1/
Check out part 2 here: https://www.youtube.com/watch?v=uaxHxTD6__g
Social media:
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Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Wolfgang Amadeus Mozart
Artists: Derek Han (piano), Philharmonia Orchestra and Paul Freeman (conductor)
This an issue of series consisting of 14 3CD-sets with selected highlights taken from our complete edition. This part contains the following works: No. 1 K. 37, No. 11 K. 413, No. 15 K. 450, No. 20 K. 466, No. 21 K. 467 “Elvira Madigan”, No. 22 K. 482, No. 23 K. 488, No. 25 K. 503.
Tracklist:
Piano Concerto No. 15 In B-Flat Major, K 450:
0:00:00 I. Allegro
0:11:04 II. Adagio
0:16:24 III. Allegro Assai
Piano Concerto No. 11 In F Major K 413:
0:24:16 I. Allegro
0:33:29 II. Larghetto
0:41:05 III. Tempo Di Menuetto
Piano Concerto No. 23 In A Major K 488:
0:46:28 I. Allegro
0:57:16 II. Andante
1:03:31 III. Allegro
Piano Concerto No. 21 in C Major, K 467 "Elvira Madigan":
1:11:30 I. Allegro
1:26:09 II. Andante
1:32:57 III. Allegro Vivace Assai
Piano Concerto No. 1 In F Major, K 37:
1:40:31 I Allegro
1:45:51 II. Andante
1:51:22 III. Allegro
Piano Concerto No. 25 In C Major, K 503:
1:56:19 I. Allegro Maestoso
2:13:38 II. Andante
2:21:01 III. Allegretto
Piano Concerto No. 20 In D Minor, K 466:
2:30:59 I. Allegro
2:44:54 II. Romanze
2:53:18 III. Allegro Assai
Piano Concerto No. 22 In E-Flat Major, K 482:
3:01:09 I. Allegro
3:15:10 II. Andante
3:24:02 III. Allegro
Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: https://brilliant-classics.lnk.to/YouTube
And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#Mozart #Great #Piano #Concertos #Vol1 #Brilliant #Classics
- published: 27 Mar 2020
- views: 2272180
32:46
Mozart: Piano Concerto No. 27 | Menahem Pressler, Paavo Järvi & the Orchestre de Paris
Music was his elixir of life: On October 17, 2012, just before his 90th birthday, pianist Menahem Pressler gave a concert in Paris' Salle Pleyel. With the Orche...
Music was his elixir of life: On October 17, 2012, just before his 90th birthday, pianist Menahem Pressler gave a concert in Paris' Salle Pleyel. With the Orchestre de Paris conducted by Paavo Järvi, Pressler played Wolfgang Amadeus Mozart’s Piano Concerto No. 27 in B-flat major, K. 595. Nimble fingers even at grand old age – Menahem Pressler is proof that it's possible. The star pianist was able to look back over a 50-year career. Between 1955 and 2008 he was performing some 100 concerts each year with the Beaux Arts Trio alone. Menahem Pressler passed away on May 6, 2023, aged 99.
(00:00) Applause
(00:18) I. Allegro
(14:32) II. Larghetto
(22:54) III. Rondo, Allegro
The Piano Concerto No. 27 in B-flat major (K. 595) is the last of Wolfgang Amadeus Mozart’s (1756 – 1791) piano concertos, of a total of 21. He wrote it in 1791, the year of his death. At its premiere in Vienna, Mozart played the solo part himself – it was to be his final public appearance at the piano. Even though this is the last of Mozart’s piano concertos, the drive to realize new compositional forms is nonetheless still very evident. Echoes of Mozart’s well-known spring composition Komm Lieber Mai… (Longing for the Spring) can be heard in the third movement, the Rondo. Although it's written in a major key, the piece sounds mournful, infused with a sense of yearning. The composer had fallen on hard times and was hoping to acquire some financial security by producing a large body of work.
Soloist Menahem Pressler (1923 – 2023) was born Max Pressler in the German city of Magdeburg. His family is Jewish, and after the Nazis came to power, he fled with his parents in 1939 – initially to Palestine, and then on to the US in 1940. The members of his family who remained behind were murdered by the Nazis. In 1946, the young Pressler won the Debussy International Piano Competition in San Francisco, remaining in California thereafter to continue his studies. He founded the world-renowned Beaux Arts Trio in 1955. The ensemble would go on to created over 50 recordings. Numerous musicians comprised the trio up until its final concert, in 2008. Pressler also performed as a soloist throughout his life.
Estonian conductor Paavo Järvi was musical director of the Orchestre de Paris from 2010 – 2016. Paavo Järvi was born in Tallinn, but emigrated to the US in 1980. For a long time he was musical director of the Cincinnati Symphony Orchestra, and is still in partnership with the ensemble as its Conductor Laureate. He’s been music director and chief conductor of the Tonhalle-Orchester Zürich since 2019.
The Orchestre de Paris is one of the largest and most-respected orchestras in the world. Founded in 1967, it has been led by several conducting greats, including Herbert von Karajan, Sir Georg Solti and Daniel Barenboim. In 2015, it relocated from the Salle Pleyel to the Philharmonie de Paris in the French capital’s 19th arrondissement.
A production of LGM Télévision
© EuroArts 2012
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#mozart #menahempressler #pianomusic
https://wn.com/Mozart_Piano_Concerto_No._27_|_Menahem_Pressler,_Paavo_Järvi_The_Orchestre_De_Paris
Music was his elixir of life: On October 17, 2012, just before his 90th birthday, pianist Menahem Pressler gave a concert in Paris' Salle Pleyel. With the Orchestre de Paris conducted by Paavo Järvi, Pressler played Wolfgang Amadeus Mozart’s Piano Concerto No. 27 in B-flat major, K. 595. Nimble fingers even at grand old age – Menahem Pressler is proof that it's possible. The star pianist was able to look back over a 50-year career. Between 1955 and 2008 he was performing some 100 concerts each year with the Beaux Arts Trio alone. Menahem Pressler passed away on May 6, 2023, aged 99.
(00:00) Applause
(00:18) I. Allegro
(14:32) II. Larghetto
(22:54) III. Rondo, Allegro
The Piano Concerto No. 27 in B-flat major (K. 595) is the last of Wolfgang Amadeus Mozart’s (1756 – 1791) piano concertos, of a total of 21. He wrote it in 1791, the year of his death. At its premiere in Vienna, Mozart played the solo part himself – it was to be his final public appearance at the piano. Even though this is the last of Mozart’s piano concertos, the drive to realize new compositional forms is nonetheless still very evident. Echoes of Mozart’s well-known spring composition Komm Lieber Mai… (Longing for the Spring) can be heard in the third movement, the Rondo. Although it's written in a major key, the piece sounds mournful, infused with a sense of yearning. The composer had fallen on hard times and was hoping to acquire some financial security by producing a large body of work.
Soloist Menahem Pressler (1923 – 2023) was born Max Pressler in the German city of Magdeburg. His family is Jewish, and after the Nazis came to power, he fled with his parents in 1939 – initially to Palestine, and then on to the US in 1940. The members of his family who remained behind were murdered by the Nazis. In 1946, the young Pressler won the Debussy International Piano Competition in San Francisco, remaining in California thereafter to continue his studies. He founded the world-renowned Beaux Arts Trio in 1955. The ensemble would go on to created over 50 recordings. Numerous musicians comprised the trio up until its final concert, in 2008. Pressler also performed as a soloist throughout his life.
Estonian conductor Paavo Järvi was musical director of the Orchestre de Paris from 2010 – 2016. Paavo Järvi was born in Tallinn, but emigrated to the US in 1980. For a long time he was musical director of the Cincinnati Symphony Orchestra, and is still in partnership with the ensemble as its Conductor Laureate. He’s been music director and chief conductor of the Tonhalle-Orchester Zürich since 2019.
The Orchestre de Paris is one of the largest and most-respected orchestras in the world. Founded in 1967, it has been led by several conducting greats, including Herbert von Karajan, Sir Georg Solti and Daniel Barenboim. In 2015, it relocated from the Salle Pleyel to the Philharmonie de Paris in the French capital’s 19th arrondissement.
A production of LGM Télévision
© EuroArts 2012
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#mozart #menahempressler #pianomusic
- published: 18 May 2023
- views: 833551
34:10
Mozart: Concerto for piano and Orchestra (d-minor) K.466, Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
https://wn.com/Mozart_Concerto_For_Piano_And_Orchestra_(D_Minor)_K.466,_Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
- published: 11 Nov 2012
- views: 6281406
3:19:24
Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 + Presentation (Cent.record. : Lili Kraus)
❤️ Join us on our WhatsApps fanpage (our preview releases): https://www.whatsapp.com/channel/0029Va8GWC7ICVfrh2QjcM3y
Wolfgang Amadeus Mozart (1756-1791) - Pian...
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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos No.9 Jeunehomme,15,16,1,2,3,4,5,6,8 .
*Click to activate the English subtitles for the presentation* (00:00-06:15)
A very big « THANKS » to Sony Music who authorized us to release this video.
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ I.Allegro (00:00)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ II.Andantino (09:51)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ III.Rondeau. Presto (19:12)
Piano Concerto #15 in B-flat major, K.450_ I.Allegro (29:30)
Piano Concerto #15 in B-flat major, K.450_ II.Andante (40:11)
Piano Concerto #15 in B-flat major, K.450_ III.Allegro (45:25)
Piano Concerto #16 in D major, K.451_ I.Allegro assai (53:23)
Piano Concerto #16 in D major, K.451_ II.Andante (1:03:53)
Piano Concerto #16 in D major, K.451_ III.Allegro di molto (1:10:12)
Piano Concerto #1 in F major, K.37_ I.Allegro (1:16:59)
Piano Concerto #1 in F major, K.37_ II.Andante (1:22:30)
Piano Concerto #1 in F major, K.37_ I.Allegro (1:27:39)
Piano Concerto #2 in B-flat major, K.39_ I.Allegro spiritoso (1:35:07)
Piano Concerto #2 in B-flat major, K.39_ II.Andante (1:40:52)
Piano Concerto #2 in B-flat major, K.39_ III.Molto allegro (1:45:28)
Piano Concerto #3 in D major, K.40_ I.Allegro (1:49:13)
Piano Concerto #3 in D major, K.40_ II.Andante (1:54:32)
Piano Concerto #3 in D major, K.40_ III.Presto (not available)
Piano Concerto #4 in G major, K.41_ I.Allegro (2:02:38)
Piano Concerto #4 in G major, K.41_ II.Andante (2:08:14)
Piano Concerto #4 in G major, K.41_ III.Molto allegro (2:12:14)
Piano Concerto #5 in D major, K.175_ I.Allegro (2:16:18)
Piano Concerto #5 in D major, K.175_ II.Andante ma un poco adagio (2:24:09)
Piano Concerto #5 in D major, K.175_ III.Allegro (2:32:40)
Piano Concerto #6 in B-flat major, K.238_ I.Allegro aperto (2:37:37)
Piano Concerto #6 in B-flat major, K.238_ II.Andante un poco adagio (2:44:59)
Piano Concerto #6 in B-flat major, K.238_ III.Rondeau. Allegro (2:51:00)
Piano Concerto #8 in C major, K.246_ I.Allegro aperto (2:58:39)
Piano Concerto #8 in C major, K.246_ II.Andante (3:05:24)
Piano Concerto #8 in C major, K.246_ III.Rondeau. Tempo di Menuetto (3:12:17)
Piano : Lili Kraus
Vienna Festival Orchestra
Direction : Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMRR
🔊Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Le premier véritable concerto de Mozart pour un instrument solo et orchestre date du mois de décembre 1773 et il est écrit pour le clavecin (K.175). Ce petit concerto est animé d'une vitalité que nous ne retrouverons plus d'ici quelques années dans l'œuvre de Mozart ; c'est une dernière manifestation personnelle avant l'assoupissement des années de musique galante. Néanmoins, il se trouve que les premiers concertos de Mozart et surtout le premier de tous n'ont pas besoin de leur titre d'aînés pour nous intéresser. Ils possèdent un charme qui est à eux et ils peuvent, momentanément du moins, nous retenir et nous plaire. Celui qui veut bien s'attarder au bord de ces eaux limpides et examiner leurs moindres beautés d'un regard minutieux et aimant, sera suffisamment récompensé par les joies de cette tâche sans que la vision au loin des concertos plus grandioses qu'ils ont précédés soit nécessaire pour encourager sa persévérance.
Il fallait seulement qu'une circonstance extérieure vînt, ne fût-ce que momentanément, libérer le jeune musicien des entraves que lui imposaient les conventions. Cette circonstance se présenta en janvier 1777. Il passa alors à Salzbourg une pianiste française d'un certain renom, Mlle Jeunehomme, et un concerto fut commandé à Mozart. La présence de cette virtuose étrangère réveilla toute sa flamme ; désireux de se montrer à son mieux devant une interprète autrement plus intéressante que la comtesse de Lodron et ses filles, il dut faire passer à l'état conscient le travail qui s'était fait en lui à son insu. Dans les concertos de 1776, l'importance du public était suprême ; son goût déterminait le diapason de l'œuvre. C'est maintenant le compositeur qui importe ; le public est passé au second plan. Il s'agit bien plus pour lui de s'exprimer que de soigner timidement le goût des auditeurs ; cela suffit seulement à expliquer toutes les différences entre ce concerto et les précédents.
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus): https://bit.ly/3umBcYL
Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 (recording of the Century : Lili Kraus/Simon)
https://www.youtube.com/watch?v=jvRhkZLM__E&t=25s&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=1
https://wn.com/Mozart_Piano_Concertos_9_Jeunehomme,15,16,1,2,3,4,5,6,8_Presentation_(Cent.Record._Lili_Kraus)
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Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos No.9 Jeunehomme,15,16,1,2,3,4,5,6,8 .
*Click to activate the English subtitles for the presentation* (00:00-06:15)
A very big « THANKS » to Sony Music who authorized us to release this video.
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ I.Allegro (00:00)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ II.Andantino (09:51)
Piano Concerto #9 in E-flat major ‘’Jeunehomme'', K.271_ III.Rondeau. Presto (19:12)
Piano Concerto #15 in B-flat major, K.450_ I.Allegro (29:30)
Piano Concerto #15 in B-flat major, K.450_ II.Andante (40:11)
Piano Concerto #15 in B-flat major, K.450_ III.Allegro (45:25)
Piano Concerto #16 in D major, K.451_ I.Allegro assai (53:23)
Piano Concerto #16 in D major, K.451_ II.Andante (1:03:53)
Piano Concerto #16 in D major, K.451_ III.Allegro di molto (1:10:12)
Piano Concerto #1 in F major, K.37_ I.Allegro (1:16:59)
Piano Concerto #1 in F major, K.37_ II.Andante (1:22:30)
Piano Concerto #1 in F major, K.37_ I.Allegro (1:27:39)
Piano Concerto #2 in B-flat major, K.39_ I.Allegro spiritoso (1:35:07)
Piano Concerto #2 in B-flat major, K.39_ II.Andante (1:40:52)
Piano Concerto #2 in B-flat major, K.39_ III.Molto allegro (1:45:28)
Piano Concerto #3 in D major, K.40_ I.Allegro (1:49:13)
Piano Concerto #3 in D major, K.40_ II.Andante (1:54:32)
Piano Concerto #3 in D major, K.40_ III.Presto (not available)
Piano Concerto #4 in G major, K.41_ I.Allegro (2:02:38)
Piano Concerto #4 in G major, K.41_ II.Andante (2:08:14)
Piano Concerto #4 in G major, K.41_ III.Molto allegro (2:12:14)
Piano Concerto #5 in D major, K.175_ I.Allegro (2:16:18)
Piano Concerto #5 in D major, K.175_ II.Andante ma un poco adagio (2:24:09)
Piano Concerto #5 in D major, K.175_ III.Allegro (2:32:40)
Piano Concerto #6 in B-flat major, K.238_ I.Allegro aperto (2:37:37)
Piano Concerto #6 in B-flat major, K.238_ II.Andante un poco adagio (2:44:59)
Piano Concerto #6 in B-flat major, K.238_ III.Rondeau. Allegro (2:51:00)
Piano Concerto #8 in C major, K.246_ I.Allegro aperto (2:58:39)
Piano Concerto #8 in C major, K.246_ II.Andante (3:05:24)
Piano Concerto #8 in C major, K.246_ III.Rondeau. Tempo di Menuetto (3:12:17)
Piano : Lili Kraus
Vienna Festival Orchestra
Direction : Stephen Simon
Recorded in 1965-66
New Mastering in 2017 by AB for CMRR
🔊Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.
Le premier véritable concerto de Mozart pour un instrument solo et orchestre date du mois de décembre 1773 et il est écrit pour le clavecin (K.175). Ce petit concerto est animé d'une vitalité que nous ne retrouverons plus d'ici quelques années dans l'œuvre de Mozart ; c'est une dernière manifestation personnelle avant l'assoupissement des années de musique galante. Néanmoins, il se trouve que les premiers concertos de Mozart et surtout le premier de tous n'ont pas besoin de leur titre d'aînés pour nous intéresser. Ils possèdent un charme qui est à eux et ils peuvent, momentanément du moins, nous retenir et nous plaire. Celui qui veut bien s'attarder au bord de ces eaux limpides et examiner leurs moindres beautés d'un regard minutieux et aimant, sera suffisamment récompensé par les joies de cette tâche sans que la vision au loin des concertos plus grandioses qu'ils ont précédés soit nécessaire pour encourager sa persévérance.
Il fallait seulement qu'une circonstance extérieure vînt, ne fût-ce que momentanément, libérer le jeune musicien des entraves que lui imposaient les conventions. Cette circonstance se présenta en janvier 1777. Il passa alors à Salzbourg une pianiste française d'un certain renom, Mlle Jeunehomme, et un concerto fut commandé à Mozart. La présence de cette virtuose étrangère réveilla toute sa flamme ; désireux de se montrer à son mieux devant une interprète autrement plus intéressante que la comtesse de Lodron et ses filles, il dut faire passer à l'état conscient le travail qui s'était fait en lui à son insu. Dans les concertos de 1776, l'importance du public était suprême ; son goût déterminait le diapason de l'œuvre. C'est maintenant le compositeur qui importe ; le public est passé au second plan. Il s'agit bien plus pour lui de s'exprimer que de soigner timidement le goût des auditeurs ; cela suffit seulement à expliquer toutes les différences entre ce concerto et les précédents.
Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus): https://bit.ly/3umBcYL
Mozart - Piano Concertos No.20,21,22,23,24,25,26,27 (recording of the Century : Lili Kraus/Simon)
https://www.youtube.com/watch?v=jvRhkZLM__E&t=25s&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=1
- published: 04 Nov 2017
- views: 1675041
25:33
Mozart - Piano Concerto No. 23 in A, K. 488 [complete]
The Piano Concerto No. 23 in A major (K. 488) is a musical composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to...
The Piano Concerto No. 23 in A major (K. 488) is a musical composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart's own catalogue, on March 2, 1786, around the time of the premiere of his opera, The Marriage of Figaro. It was one of three subscription concerts given that spring and was probably played by Mozart himself at one of these. The concerto is scored for piano solo and an orchestra consisting of one flute, two clarinets, two bassoons, two horns and strings. In Mozart's later works the wind instruments are equal to the stringed instruments, and this is also the case in this concerto. It has three movements:
1. Allegro in A major and common time.
2. Adagio in F-sharp minor and 6/8 time (in later editions, the tempo is listed as Andante).
3. Allegro assai in A and alla breve (in later editions, the tempo is listed as Presto). In Rondo form.
The first movement is mostly sunny and positive with the occasional melancholic touches typical of Mozart pieces in A major and is in sonata form. The piece begins with a double exposition, the first played by the orchestra, and the second when the piano joins in. The first exposition is static from a tonal point of view and is quite concise, the third theme is not yet revealed. The second exposition includes the soloist and is modulatory. It is also includes the third previously unheard third theme. The second exposition is ornamented as opposed to the first exposition which is not. The second theme has harmonic tension. This is expressed by dissonances that are played on the beat, and then solved by an interval of a second going downwards. This is also expressed in the use of chromatics in the melody and bass lines which is a cause for harmonic tension, as the listeners anticipate the arrival of the tonic.
The second, slow movement, in ternary form, is melancholic and somewhat operatic in tone. The piano begins alone with a theme characterized by unusually wide leaps. This is the only movement by Mozart in F sharp minor. The dynamics are soft throughout most of the piece. The middle of the movement contains a brighter section in A major announced by flute and clarinet that Mozart would later use to introduce the trio "Ah! taci ingiusto core!" in his opera Don Giovanni. The third movement is a vigorous and cheerful rondo, shaded by moves into other keys as is the opening movement (to C major from E minor and back during the secondary theme in this case, for instance) and with a central section whose opening in F sharp minor is interrupted by a clarinet tune in D major, an intrusion that reminds us, notes Girdlestone, that instrumental music at the time was informed by opera buffa and its sudden changes of point of view as well as of scene.
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FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
https://wn.com/Mozart_Piano_Concerto_No._23_In_A,_K._488_Complete
The Piano Concerto No. 23 in A major (K. 488) is a musical composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart's own catalogue, on March 2, 1786, around the time of the premiere of his opera, The Marriage of Figaro. It was one of three subscription concerts given that spring and was probably played by Mozart himself at one of these. The concerto is scored for piano solo and an orchestra consisting of one flute, two clarinets, two bassoons, two horns and strings. In Mozart's later works the wind instruments are equal to the stringed instruments, and this is also the case in this concerto. It has three movements:
1. Allegro in A major and common time.
2. Adagio in F-sharp minor and 6/8 time (in later editions, the tempo is listed as Andante).
3. Allegro assai in A and alla breve (in later editions, the tempo is listed as Presto). In Rondo form.
The first movement is mostly sunny and positive with the occasional melancholic touches typical of Mozart pieces in A major and is in sonata form. The piece begins with a double exposition, the first played by the orchestra, and the second when the piano joins in. The first exposition is static from a tonal point of view and is quite concise, the third theme is not yet revealed. The second exposition includes the soloist and is modulatory. It is also includes the third previously unheard third theme. The second exposition is ornamented as opposed to the first exposition which is not. The second theme has harmonic tension. This is expressed by dissonances that are played on the beat, and then solved by an interval of a second going downwards. This is also expressed in the use of chromatics in the melody and bass lines which is a cause for harmonic tension, as the listeners anticipate the arrival of the tonic.
The second, slow movement, in ternary form, is melancholic and somewhat operatic in tone. The piano begins alone with a theme characterized by unusually wide leaps. This is the only movement by Mozart in F sharp minor. The dynamics are soft throughout most of the piece. The middle of the movement contains a brighter section in A major announced by flute and clarinet that Mozart would later use to introduce the trio "Ah! taci ingiusto core!" in his opera Don Giovanni. The third movement is a vigorous and cheerful rondo, shaded by moves into other keys as is the opening movement (to C major from E minor and back during the secondary theme in this case, for instance) and with a central section whose opening in F sharp minor is interrupted by a clarinet tune in D major, an intrusion that reminds us, notes Girdlestone, that instrumental music at the time was informed by opera buffa and its sudden changes of point of view as well as of scene.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
- published: 25 Dec 2011
- views: 5215564
52:56
Classical Music Mix: 7 Master Composers | Mozart, Beethoven, Bach, Haydn, Grieg, Albinoni, Gluck
Thanks you for visiting Radio Oberon and welcome!
If you enjoyed this video and would like to see more, kindly subscribe to our channel, click the bell, and he...
Thanks you for visiting Radio Oberon and welcome!
If you enjoyed this video and would like to see more, kindly subscribe to our channel, click the bell, and help us share this music by liking and commenting on the video. ❤️
Thank you!
🎻 Timestamp:
0:00 Beethoven - Moonlight Sonata for String Ensemble
4:30 Mozart - Piano Sonata 16 for Woodwind and Strings
9:23 Bach - We Thank Thee Lord, We Thank Thee, BWV 29 N 1 for String Ensemble
13:01 Gluck - Dance of the Blessed Spirits, for Flute and Ensemble
15:25 Grieg - Peer Gynt, Suite 1
18:42 Haydn - Trumpet Concerto in E Flat Major, Andante
21:50 Bach, Air from Orchestra Suite No 3, BWV1068 Flute and Strings
24:23 Albinoni - Concerto in D Major
33:41 Bach, Violin Concerto in A minor, BWV 1041, Recorder and Strings
46:29 Mozart - Elvira Madigan
_______
#classicalmusic #bach #mozart #composer #musicappreciation #inspiring #musicforstudying #musicforreading #relaxingmusic
https://wn.com/Classical_Music_Mix_7_Master_Composers_|_Mozart,_Beethoven,_Bach,_Haydn,_Grieg,_Albinoni,_Gluck
Thanks you for visiting Radio Oberon and welcome!
If you enjoyed this video and would like to see more, kindly subscribe to our channel, click the bell, and help us share this music by liking and commenting on the video. ❤️
Thank you!
🎻 Timestamp:
0:00 Beethoven - Moonlight Sonata for String Ensemble
4:30 Mozart - Piano Sonata 16 for Woodwind and Strings
9:23 Bach - We Thank Thee Lord, We Thank Thee, BWV 29 N 1 for String Ensemble
13:01 Gluck - Dance of the Blessed Spirits, for Flute and Ensemble
15:25 Grieg - Peer Gynt, Suite 1
18:42 Haydn - Trumpet Concerto in E Flat Major, Andante
21:50 Bach, Air from Orchestra Suite No 3, BWV1068 Flute and Strings
24:23 Albinoni - Concerto in D Major
33:41 Bach, Violin Concerto in A minor, BWV 1041, Recorder and Strings
46:29 Mozart - Elvira Madigan
_______
#classicalmusic #bach #mozart #composer #musicappreciation #inspiring #musicforstudying #musicforreading #relaxingmusic
- published: 25 Feb 2024
- views: 421